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dc.contributor.authorTatar, Burhanettin
dc.date.accessioned2020-06-21T12:18:56Z
dc.date.available2020-06-21T12:18:56Z
dc.date.issued2020
dc.identifier.issn1303-9199
dc.identifier.urihttps://doi.org/10.33415/daad.675638
dc.identifier.urihttps://hdl.handle.net/20.500.12712/10312
dc.descriptionWOS: 000522754100001en_US
dc.description.abstractTawhid in the Qur'anic discourse foregrounds itself as the destruction of the images of god(s) which were common in the period of Qur'anic revelation and re-construction of original understanding of the Creator. While the faith of tawhid was becoming the center of social dialogue on the one hand, it was pointing to void or empty space within the imaginary architects of god constructed historically by non-Islamic beliefs on the other. In final analysis, image and void appears to be two aspects of the same object. For a believer of Islam, the most essential point in the narrative of tawhid is the event of historical attainment of divine revelation or divine call to human being.en_US
dc.language.isoturen_US
dc.publisherDinbilimleri Akad Arastirma Merkezien_US
dc.relation.isversionof10.33415/daad.675638en_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectTawhiden_US
dc.subjectImageen_US
dc.subjectVoiden_US
dc.subjectMetaphysicsen_US
dc.subjectCall (address)en_US
dc.titleImage and Void: A Philosophical Analysis on the Narrative of Tawhiden_US
dc.typearticleen_US
dc.contributor.departmentOMÜen_US
dc.identifier.volume20en_US
dc.identifier.issue1en_US
dc.identifier.startpage9en_US
dc.identifier.endpage23en_US
dc.relation.journalDinbilimleri Akademik Arastirma Dergisi-Journal of Academic Research in Religious Sciencesen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US


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